故事是这样的：它不讲那种单纯的鬼吓人，而是用一部记录片的视角，倒叙带出一段在这个印尼雨林深处、围绕着一支采风乐队逐渐走向崩塌的往事。 电影最值得玩味的是它将“传统信仰”与现代悬疑巧妙结合，用极具生活气息的场景堆叠出窒息感。叙述节奏不快，是那种细水长流的惊悚，看着看着后背就开始发紧。导演善于通过多声部旁白与碎片化闪回制造心理惊悚氛围，演员方面，Marsha Timothy与Maudy Effrosina贡献了极具层次感的表演，精准捕捉了女性在困境中的挣扎与绝望。导演很会抓那种幽闭环境里的张力，看着主角一家试图在陌生习俗和家族压力里挣扎，那种不安感慢慢渗进心里。 ☆。

For decades of using ruqyah to help people, Ustadz Qodrat failed to ruqyah his son, Alif Al-Fatanah, possessed by a demon named Assuala. Looking for answers to his worries, Qodrat returns to the boarding school in the village where he studied. He finds the place is no longer what it used to be, with unexplained disturbances. Qodrat is again faced with the trauma of having to ruqyah Alif Amri, Yasmin's youngest child, whom he cannot refuse because of the similarity of his name to his late son. In a soul-crushing test, Qodrat again faces the fury of Assuala. Qodrat has to choose between obeying his anger or re-finding his faith.

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